Monday, August 12, 2013

Emerging Trend: Jubilee Themed Narrative in Contemporary Art Spaces

The is an emerging trend in Kenya where artists are coming up with compositions which are pro-jubilee. This narrative is what is expected from a team that emerges victorious in an election contest. However, one must give credit to UhuRuto team with coming up with a unique name which had the right contest [Kenya celebrating 50 years of independence]. 
It would be interesting to know if these artists who come up with such compositions get any advantages from the current administration. Also, would be good to know if this is the start of a unifiication project by use of the art space.
  • Jubilation Remix by Ringtone
  • Kenya 50 years

Tuesday, August 6, 2013

Thought Provoking Read: Africa's Big Brother Lives in Beijing by John Reed

John Reed in an investigative piece on Foreign Policy contends that China might actually be spying on Africa. One of the question he possess is Is Huawei wiring Africa for surveillance? 
"Generally, most of the employees operating these systems are Chinese and the arrangements usually include delegating maintenance and decisions about future updates to Huawei as well, thus ensuring the Chinese firm's control of the basic technological architecture's foundation, evolution, and operations,"  - Chris Demchak, co-director of the Center for Cyber Conflict Studies at the U.S. Naval War College
Looking at this from a Kenyan perspective and given the happening on the ground this might actually be true. If you look at Safaricom the biggest player in telecommunications you will notice that it has close relationship with Huawei. One of the goals of Safaricom Ltd is to offer it's services to anyone and that means getting in agreements with Huawei which offers affordable phones to the base of pyramids. This agreements between Huawei and Safaricom usually extend to other areas apart from the hand-set market.

Also, sometime back I happened to have gone to an official launch at Kenya Broadcasting Corporation headquarters and I noticed most of the equipments and renovations of the state broadcaster were installed by the Chinese. This was during Kibaki administration who found a win win situation with the Chinese government. 

When one also looks at the Chinese Consulate in Kenya one will notice that they have a substantially huge complex which is next to Hurlingham plus another office dealing with trrade matters along Ngong Road. Certainly if the all countries snoop on each other but Chinese seem to be on the look out for new trade deals for their companies.

Also, looking at the Chinese benevolence in providing the African Union with a state of the art new headquarters in Ethiopia. This is the same building John Kerry the American Secretary of State marvelled upon in his first visit to AU headquarters. 
The Chinese certainly seem to have done their homework on the continent and now they unlike Americans do not need an African Drone Programme! 

Euro-centric Reads: What to Read on Kenyan Politics by Prof. Joel D. Barkan

Prof. Joel D. Barkan presents a commentary on Kenya’s foreign affairs syllabus reads in the Council of Foreign Relations hosted publication Foreign Affairs. When I read the article I noticed some glaring omissions and deliberate characterization of Kenya’s history. First, to come to my eye was the division of Kenyan history into three epochs.
Its [Kenya’s] history can be divided into three eras: the late colonial period and the transition to independence in 1963; the post-independent period from 1963 to 1990; and the country’s two-decade-plus struggle since to become a modern democratic state. - Joel D. Barkan
In my opinion the post 1990’s period cannot be balked into one set and as much as the Kenyan state has had its struggles in transforming to become a modern democratic state. The new millennium should have merited an era by itself so that in the least we had at least four eras. The most notable and significant events in the Kenyan state have happened in the new millennium. The most notable being the smooth transition of power in 2002 from the then monolith KANU to the opposition party NARC. The election period and coming into force of a coalition government in 2008 after a bundled general election in 2007 and almost eventual collapse of the state. Then there is the coming into force of a new constitution in 2010 and challenges thereafter and problems within the framework of the coalition. Throughout the period of 2008 to 2012 Kenya has had its fair share of influence and interventions by international actors. Also, it’s during this period is when the ICC court came calling with significant consequences in the long haul.
My second problem with Prof. Joel’s piece is his collection of publications which he curates. The readers of this piece are typically non-Kenyans and they might not have the local knowledge we possess and thus they might miss some quintessential narratives. A good example is his analysis below that follow the era one reads.
Like most African countries, Kenya is a multiethnic society created by European colonialism. Unlike most former colonies, though, its territory was extensively settled by Europeans. That process resulted in a system of racial domination similar to those that emerged in Zimbabwe and South Africa. - Joel D. Barkan
While it is true Kenya is a multiethnic society with its fair share of problems tribalism being one of them. The settlement by Europeans could be considered extensive however this settlement happened in the fertile areas within the country. This resulted in the phrase ‘white highlands’ being coined .  
My bone of contention with Prof. Joel is in analyzing the present day contemporary politics he did not branch out of academic circles to explore modern day contemporary literature. Kwani? Publications offer insights into the contemporary political landscape. Also, his curated list lacks some African voices especially the pre-independence era. Facing Mount Kenya by Jomo Kenyatta is a book he ought to have considered for inclusion plus Not Yet Uhuru by Jaramogi Oginga for the second era.
In the same breath I must say I agree with most of the assertions presented in the article especially concerning few publications covering the present day contemporary politics.
Regrettably -- and somewhat surprisingly -- no concise overviews of contemporary Kenyan politics have been published in recent years. - Joel D. Barkan

Perhaps this could be explained by the mere fact that unlike the West where there are foundations which support such endeavors. Plus, universities which have a strict tenure system where a professor’s tenure is based on the number of publications and research projects they have done. In Kenya there are very few foundations which engage in supporting universities to conduct and publish this kind of research. This has lead to a phenomenon where you have researchers from the north jetting in to southern countries and conducting research funded by foundations from the northern.

Monday, July 29, 2013

Art: Backlash on Kenya’s Performance at 55th Venice Biennial Continues..

Backlash on Kenya's de-tasteful performance at Venice continues this time on a well written post in the blogosphere. I like his assertion below; 
The presence of a national pavilion, especially for countries participating for the first time, signifies a confidence; a newfound progressiveness and cultural involvement by governments, which demonstrates to the world the brilliance of contemporary artists available within the nation’s borders. It also goes to demonstrate a society with a heightened creative capacity, one that continuously speaks to itself and possesses a cultural consciousness that the government continuously supports. - cryptic paradoxes
You can read the whole article here 

Friday, July 26, 2013

Nairobi Graffiti Train: Keeping the Peace by All Means before the March 4 2013 Elections!

Kenya in the run up to the March 4, 2013 General election was awash with peace campaigns of all manner. A good example is the graffiti peace train. The logic behind this was the train passes smack in the middle of one of the informal settlements in the city which was a hot spot in the disputed 2007 elections.

Creative Kenya: Just a Band's New Video Dunia ina Mambo

 Listen to Just a Band latest music video with some subtle political overtones of the 1980′s and based on the soundtrack of a popular detective sitcom of early 90′s called Tahamaki

Tuesday, July 23, 2013

Research Findings: From Theatre Royal to Pop-up Galleries - Timeline of Art Venues in Nairobi by Olivier Marcel

Maybe one day Nairobi will be laid out with tarred roads, with avenues of flowering trees, flanked by noble spaces and stately squares; a cathedral worthy of faith and country, museums and galleries of art, theatres and public offices. - Dutton Eric in Kenya Mountain, 1929
In Volume XI n° 3 – 2013 of Mambo! [IFRA Publication] Olivier Marcel takes a closer look at art venues in Nairobi from 1910 to present day. Then, he goes ahead to give a visual representation/mapping of art venues vis a vis key political events in Kenya and East Africa.
In his finding Oliver posits that most of the art venues and institutions in Nairobi lack institutional memory.
An astonishing example is the fifty year old Goethe-Institut, which has virtually nothing but testimonies to account for the activity that preceded the arrival of the current director in 2007. Additionally, when a venue shuts down, as did Wahome Mutahi’s popular Citrus Whispers Theatre in Ngara, its memory is only shared orally in small circles of theatre enthusiasts and progressively fades into oblivion.
Marcel also observes that there might be differences of intention between local organizers and their western counter parts. Western donors will usually partner with art organizers with the sole agenda of putting Nairobi on the Map! 

This paper also points out how foreign donors came to settle in the art space. As is always the case most of the foreign donors have a role play and an agenda they seek to push.  Marcel makes this clear by pointing out how informal settlements have become attractive for art projects which are usually financed by foreign donors.
   
Download the publication here [pdf]

Olivier Marcel is a PhD student in geography who is currently completing his thesis titled “Tracing Art from Nairobi, Geog­raphy of Art Mobilities in an East African Metropolis” (Bordeaux 3 University - LAM, UMR 5115).

Monday, July 15, 2013

European Union Election Observation Mission to Kenya: Final Report

EU Election Observation Mission Report
Download the EU election observation mission report here

Kenya Rising: Record Sales figures achieved by Kenyan Artists at AfricaNow Exhibition at Bonhams London

AfricaNow Poster
Bonham's has an exhibition and sale aptly titled AfricaNow which has been take place each year from 2009. The focus of AfricaNow exhibition is to bring to the world the flourishing modern and contemporary African art. 
This year’s exhibition has seen the hosting of a charity auction of eight lots by eight contemporary Kenyan artists, in association with The African Arts Trust and Circle Art Agency with the generous sponsorship of Afren. The proceeds from this auction are intended to go directly to projects that support the development of visual art education in this country
The eight artists included in this auction represent all that is best from the current crop of Kenyan contemporary artists. These artists were selected by Danda Jaroljmek of Circle Art Agency and Robert Devereux of African Arts Trust.

Download the AfricaNow catalogue here

Artists who participated and Prices their work fetched
1.  Joseph Bertiers (Kenyan, born 1963) Yesterday afternoon, 2013 Sold for £4,000 inc. premium
Yesterday Afternoon by Joseph Bertiers
Yesterday afternoon depicts a busy market scene after the announcement of the failure of the biometric BVR vote-tallying system at the recent Kenyan elections in March 2013. The IEBC announced they would be counting the votes by hand, which caused panic-buying by Kenyans anxious to get home. In the ensuing rush, traders got top prices for their wares.
2. Michael W. Soi (Kenyan, born 1972) China loves Africa 6 Sold for £3,250 inc. premium
China loves Africa by Michael Soi
China loves Africa 6 is part of a series of ten works created between 2012 and 2013 which addresses the presence of China in Africa. Soi views China’s involvement in Africa as a type of economic recolonisation.
3.  Anthony Okello (Kenyan, born 1976) Masquerade, 2013 each 42 x 63cm (16 9/16 x 24 13/16). diptych (2) Sold for £6,250 inc. premium
4. James Muriuki (Kenyan, born 1977) Untitled (from the series 'Undefined Constructions'), 2013 Sold for £1,250 inc. premium
5. Beatrice Wanjiku (Kenyan, born 1978) This constant yearning, 2013 Sold for £2,500 inc. premium
6. Peterson Kamwathi (Kenyan, born 1980) Untitled (from the 'Peri-Urban Encounters' series) Sold for £3,250 inc. premium
7. Paul Onditi (Kenyan, born 1980) Half Life, 2013 Sold for £3,125 inc. premium
8. Cyrus Kabiru (Kenyan, born 1984) C-Stunners Mini Morris Sold for £1,500 inc. premium